Everyone at Tom Jupiter is a fan of Ray Harryhausen’s films; he created some of the greatest fantasy adventures ever to be shown in cinemas. My personal favourite would be The Beast from 20,000 fathoms, but Clash of the Titans, Jason and the Argonauts, The Valley of Gwangi and so many more are all excellent adventure films.
There is a new documentary celebrating his work released on Friday, and the beautiful Gate Cinema in Notting Hill, London, has a special screening of the film with a Q&A afterwards, and an introduction from the man himself!
The Gate Cinema has a special preview of Liberal Arts on Sunday, which is followed by a Q&A with Elizabeth Olsen who stars in the film (and thoroughly impressed the world with her performance in Martha, Marcy, May, Marlene earlier this year!)
It’s sure to be a busy one, so book ahead. And join the Facebook event, too, for any last-minute updates!
The first great ‘midnight movie’ is back on the big screen at the Gate Cinema for late shows this Friday and Saturday. I’ve never seen the film, and am really looking forward to it. Check out the trailer – it looks insane!
We’ll be handing out free copies of an article written for New Empress Magazine by Coconutboots about Freaks, geeks and midnight films – El Topo included.
The film has been out and about for a few weeks now, including a run at the Gate Cinema, but there are still screenings due. Many Picturehouse cinemas are playing the film on Aug 7th (listed here).
The lovely folks at Dogwoof (who are distributing the film) are also running a competition, in which you can win a special early copy of a new book by sending them a photo of your cinema ticket.
A fascinating and very entertaining doc, and one of the best films of 2012. I saw it at Edinburgh and reviewed it for Cinetalk.
Also worth noting that my very beautiful Gate Cinema is playing a preview on 19 Aug. (It’s only available for members to book until 26 July, but put in in your calendar if you’re London based).
Just make sure you see this film at a cinema somewhere when it’s released at the end of August!
The Gate Cinema was once renowned for our late shows, so we decided it was time to bring them back! We’ll programme two films a month, highlighting classics, cult wonders and simply films that we love. Expect more than just screenings, however, there will be giveaways, prizes and more! In a dazzling flash of inspiration, we’ll be calling these shows ‘Late Cinema at Gate Cinema’.
But lo, there is even more to tell you! Tickets for our late films will be only £8.50 (£6.50) members – much cheaper than our standard evening prices. We will, however, be asking each customer to donate at last £1 to PLAN UK. We aim to raise £2000 for the charity by the end of the year, with whom we provide fresh water to villages in West Niger.
So you get to have fun, spend less AND save lives. Yes, Late Cinema at Gate Cinema is going to be awesome.
What is the first film, we hear you ask…
THE BIG LEBOWSKI Friday 8 June, 11.00 and Saturday 9 June, 11.00
What better film to start with than the Coen’s classic, with Jeff Bridges as The Dude… We will, of course, be selling White Russians at the screening. Anyone that comes in full Dude get-up may find themselves winning something, too.
Set on a small island off the coast of New England in 1965, Moonrise Kingdom is a story about growing up and finding your roots. Our two lead characters are both children; Sam is a member of the khaki-scouts – the least popular in the group – and Suzy lives at home with her solicitor parents and three younger brothers. Following a chance meeting, they hatch a plan to run away together.
The cast of the film is superb. Bill Murray, Frances McDormand, Bruce Willis, Edward Norton, Tilda Swinton… amongst others. Although each of them only gets a short time on screen, they are all superb and create lasting characters. The two young actors that the film is built around (Jard Gilman as Sam and Kara Hayward as Suzy) are fantastic too.
The film is beautiful. The opening scene, for example, is a wonderful construct of colours and angles. The camera moves only in straight lines as we are introduced to Suzy’s home and family, and her longing to escape. This beauty remains throughout, but does change with our protagonists.
A mention must also be made for the music, which is very cleverly chosen (as with all Wes Anderson films). Lots of Britten and Hank Williams. Very atmospheric, but also with meaning for certain characters.
It may sound like a whole bunch of unrelated strands, and Wes Anderson may be known best for whimsy, but everything knits together into a very pleasing film which has something to say and is also a wonderful look back at 1960’s America.
One of the best films of the year, and the more I think about it, the more I enjoyed it.
(Playing at the Gate Cinema until Thursday 7 June, as well as other cinemas too, I guess…)
We played Dinotasia for only a week at the Gate Cinema, and I didn’t get a chance to see it until Thursday, the last day of screening. (Cinemas work on a Fri-Thu week). Hence, I didn’t bother reviewing it at the time. However, it’s such a niche film that I realised I was doing it a disservice by ignoring it!
Dinotasia is a weird film. It was billed as a dino-documentary narrated by Werner Herzog, but it isn’t really. It’s a series of shorts, all starring different dinosaurs going about their daily lives, but vaguely anthropomorphised so that stories can be told. Battling T-Rex’s, who are out for revenge, a sauropod getting high on magic mushrooms, giant deadly frogs… Between each short, Herzog narrates. He doesn’t get a lot of time, so he has managed to squeeze ‘extra Herzog’ into each line he has. It is brilliant.
Although the science behind the film is relatively sound (not just in my opinion, but that of a palaeontologist friend also) this is not a documentary and it isn’t out to teach us anything new. If you’re after depth and learning, then you’re better off visiting the Natural History Museum. It is also not a film for young children, as it’s fairly violent in places, and includes some dino-sex.
Dinotasia is, essentially, a late-night beer film for people like me. I am the niche audience, and I loved it. (The film should have been sold with a great B-Movie poster: SEE Dinosaurs fight, love and Get High! SEE giant deadly frogs! HEAR Werner Herzog!)
The film is unlikely to be seen a great deal in cinemas, but if a screening does come up I recommend the film. Go in ready to laugh, and you’ll have a great time.
