Review: Star Trek into Darkness

OR a review of the new Star Trek film in which there are MANY SPOILERS and lots of other Star Trek thoughts…

I’m guilty. I got too excited.

You see, I have always been a ‘Trekkie’ (see note 1). I grew up watching Kirk and Spock on VHS, I remember watching, initially disliking and learning to love The Next Generation. I still hold Deep Space Nine in high regard (see note 2). When I was made cinema manager, I was very, very tempted to walk around slowly while listening to Jerry Goldsmith’s ‘The Enterprise’.

The point I’m making is that I know Star Trek. I adore Star Trek. I love it when it’s great (often), and I love it when it’s bad (Spock’s Brain, raise your hand… hehe). Over the last few weeks I have allowed my love of all things Trek to grow into a little ball of intense energy, and then last week I allowed it to escape. We had a screening of THE WRATH OF KHAN (see note 3), I got very enthusiastic with the social media posts, and I had a feature about Star Trek: Phase II published in Starburst Magazine, which I used to read about Star Trek in as a child. I even arranged for (cheap & fake) Starfleet uniforms for the staff, and made them listen to Shatner’s albums. Whew!

And then I sat down to watch this…

Let us begin, much like the film does, with the music. Michel Giacchino’s score for 2009’s STAR TREK is excellent, with enough nods to the past that it merge’s with the works of those great composers gone before, and also manages to sound fresh and exciting. There are a number of new themes thrown in this time, including some piano work, and I think it is fantastic. So, the film opens with the heroic, but slightly wistful notes of this great score before we are quickly into action. Running. Natives. Red trees. Some exciting nonsense and then… the Enterprise rising from the ocean. There is not a single moment in the remainder of the film which even approaches the greatness of this.

And then we get in to the nitty gritty. Terrorism against Starfleet by Cumberbatch’s mysterious enemy pushes the local officers into a frenzy of anger and vengeance. Kirk, being Kirk, figures out a little more than anyone else, so he and the Enterprise are sent on an assassination mission by Admiral Marcus. They must use some new, fancy and ultra secret photon torpedoes to take-out the terrorist, who just happens to be hiding on the Klingon homeworld of Kronos (see note 4).

There is some good old fashioned Star Trek moral angst, and Kirk decides to capture this terrorist instead of killing him in cold blood. Action follows. It’s exciting. I really appreciate the larger role that Uhura plays in this new film series. I think that it’s in keeping with what Gene Roddenberry would have liked.

Upon capturing him, it turns out that, much like the rumours suggested, Cumberbatch is indeed playing Khan, and he claims that he is being manipulated by Admiral Marcus, who wants to militarise Starfleet. Oh lordy. Khan. This changes the film somewhat. I really wish they hadn’t done that.

So, let’s swing around the sun and go back in time a week to the screening of WRATH OF KHAN I attended. Or maybe a few decades, to its first release. This film, you see, is iconic. Khan and his feud with Kirk is iconic. I know the film very, very well. And suddenly this new Star Trek is being directly compared to old Star Trek in my mind, and I’m sorry, but new Trek just isn’t going to win.

So, some more action happens to get our heroes onto Admiral Marcus’ big battleship (see note 5). The film then dispenses with the Admiral, and places Khan in his throne as the main villain. The brief period of ‘who can I trust’ is certainly interesting, but ultimately the answer is ‘no one’, so… back to the action. What I found myself wanting here was for Khan and Kirk to become allies, even friends. It would have been an interesting flip of the relationship coin, and a huge ‘what if’ which could change everything in future installments of Star Trek. After all, what’s the point of simply remaking the same damn thing?

What then follows is essentially a replaying of WRATH OF KHAN, but with the pieces moved around. Same dialogue. Same shots. Same everything, except much, much less emotion. In WRATH OF KHAN, the Kirk/Spock dynamic had years of building, and we had been a part of it. With INTO DARKNESS, we’re simply told that they’re friends, and it’s just not the same. It was too early to tell this tale with these actors – the bromance has yet to flourish.

I won’t lie, I did enjoy seeing the classic film mirrored, in quite a ‘geek’ way. But I also found it very distracting. What is interesting is the reaction of people who haven’t seen WRATH OF KHAN – it seems almost universally positive. Perhaps in this instance, pandering to the fans may have worked against the film?

The action scenes are all exciting, fast-paced and perfect ‘popcorn’ fun. I find that there isn’t a strong sense of location to any of it… and I also felt that any real threat or suspense had already gone by the second half of the film. You see, Khan’s blood apparently has some amazing ‘cure all’ possibilities, so we know that anyone who has to make a sacrifice will be magically brought back.

Gosh, this sounds like a very negative review. Don’t get me wrong, I enjoyed the film. I recommend going to see it, and I will be going to see it again.

The actors are all great, with Quinto and Cumberbatch really standing out. Sulu and Chekov get some great moments. Simon Pegg is fantastic as Scotty. I feel like McCoy needs some more time on screen. I like the new take on the Klingons. They feel dangerous, unpredictable and suitably alien. The effects are great throughout, and the action is exciting. Overall a very entertaining film.

If anything, I allowed my love of Star Trek to lead me astray. When I see it again, I will endeavour to leave all of my history at the door.

Notes

1) a term I prefer over ‘Trekker’. Although frankly I don’t much care. The realm of fandom deserves a post – possibly even a book – all to itself.

2) especially Jadzia Dax. Oh lord.

3) which my girlfriend slept through.

4) or Qo’noS, if you’re that way inclined.

5) Is it just me, or does it look like it’s been made from lego pieces?

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Top Five Star Trek Films

With the imminent release of Star Trek Into Darkness, which has my excitement levels high enough to melt dilithium crystals, as well as the Stratford Upon Avon Picturehouse screening of Wrath of Khan just around the corner, it seemed the perfect time to revisit my old friends, the Star Trek movies, and to put them in some kind of order.

Generally it is assumed that the even numbered films are the best, but I have never held to this. Growing up with Star Trek, each film (and series, even some episodes) is particularly important to me. I’ll listen to the music from them to evoke certain moods, quote them and generally just enjoy their existence.

The most difficult one to include is JJ Abrams’ Star Trek, as it is so different from the others. I enjoyed it a great deal, certainly, but is it the Star Trek that I know and love? I really can’t decide.

Anyhow, here are my top five Star Trek films.

Wrath of Khan
An easy number one. With spectacular special effects, exciting action sequences and enough drama dripping from Shatner’s brow to dissolve lesser films. Spectacular music from James Horner (which he has never bested), grand themes and a superb performance from Montalban as the vengeance-fueled Khan set this as not only the best Star Trek film, but possibly the best science-fiction films and an excellent adventure.

Just watch it, ok?

 

The Undiscovered Country
The first Star Trek film I saw in the cinema! This is much darker in tone than its predecessors, and has some heavy political overtones, with the Federation and Klingons dancing around the idea of peace and friendship. Classic themes, and excellent action make it a very satisfying film. The dark, gothic score from Cliff Eidelman is also superb, and so different from any other Star Trek film. As with ‘Khan’, the space-ships feel big, they feel like battleships or submarines, and that gives the action some scale. General Chang (Christopher Plummer) is another excellent foil for Kirk, and spends much of the film quoting Shakespeare.

Plus, any film that starts with an exploding moon must be good.

First Contact
The first film with the cast of The Next Generation is also their only one in my top five! As with the previous choices, the making of this film is in the enemy – the Borg – and in making this fight the grand theme. This time there is something of Moby Dick, with Patrick Stewart on absolute top form as Picard.

Top notch effects, great action and a wonderful score from Gerry Goldsmith make this a film that anyone can enjoy – not just Star Trek fans.

 

 

The Motion Picture
I don’t expect many others would include this in their top five lists. Possibly not even in their top ten! It is slow, and ponderous and light on action. However, I like it for all of those reasons. It is a big film, with big ideas. I love the long flight around the new Enterprise, with the wonderful theme playing. I love the weirdness of V’ger as a villain. I hate the uniforms.

 

 

 

Star Trek (JJ Abrams)
An exciting summer blockbuster, this earns its place by managing to relaunch a film series that I love, and to bring new people in to see Star Trek. Although lighter than the previous films, some of the tone of the very first Star Trek series has been captured, and this is good. I’m still not sure I can completely come to terms with a different cast, and various other changes. I certainly am not a fan of the new Enterprise (Geeky, I know, but hey – it’s my blog, after all!).

I am excited to see where the franchise will go now.

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What’s on: Lates at Stratford Upon Avon

Following our refurbishment work, the Stratford Upon Avon Picturehouse is launching a new strand – Friday Late shows. A bit of an experiment, as we don’t have a history of cult late films, I really hope that these shows work. There will be some give-aways and fancy dress fun to go with them!

Here are our planned events. Click on the title for the booking link, or the Facebook tab to join our event page:

DRIVE 19.04.13
The cinema re-opens with shows of The Place Beyond The Pines, so the obvious first choice of a late show would be a Ryan Gosling film. I won’t lie, I didn’t really enjoy Drive. However, I know that I’m in the minority with this opinion, and that many, many people love the film. We’re having some twitter-fun in the lead up to this screening, so keep an eye on #GoslingonAvon on Twitter.
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Culture Shock: ABC’S OF DEATH 26.04.13
I’m really excited to see this one. It’s an anthology of 26 films from 26 horror directors, taking us through an alphabet of death. I’ve no doubt that some of the films are likely to be pretty awful, but then I also expect some of them to be truly amazing. I’ve been gradually running through the ABC’s on the Culture Shock Facebook page.
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STAR TREK II: THE WRATH OF KHAN 03.05.13
This would be the late show I’m most excited about playing! I’m quite the Star Trek fan, and yet I’ve never seen this film on the big screen! Everything about this film screams out to be watched in a cinema – the score, the effects, the acting… I really cannot wait.
This is one of the classic Trek films that stands out, and can be watched – and enjoyed – by anyone.
Expect a few more Star Trek posts over the coming weeks as I get my geek on…
And be sure to join us in the bar first!
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More to come..?

If these three shows work, then undoubtedly there will be more cult late shows playing at the cinema, and I will make sure that they are interesting films, and that everyone has a fun night out!

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Music and Jedi

I had a wonderful day yesterday at LFCC. I collected autographs from Dave Prowse, Kenny Baker, Walter Koenig and Natalia Tena, and managed not to spend all of my money on shiny toys. I’ve only been to a couple of conventions – but I’ve caught the bug. You’ll find me heading to as many as possible, now.

Following that, I went along to the BARFLY in Camden to catch the amazing TROJAN HORSE. Their last track ‘Alright’ was incredible. Unfortunately, it’s not included on their current album – hopefully one for a future release!

After Trojan Horse, there was a performance by ANDY AND THE PROSTITUTES, who sang a song called Jedi Knight, which I would like to share with you all. Just follow this link. A Star Wars song with a banjo. What’s not to love?

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