Godzilla Vs King Kong + Matango double bill!

Zipangu Fest and Cigarette Burns Cinema present a Creature Feature Double Bill in 35mm and full extra widescreen TohoScope!


Zipangu Fest is a London-based Japanese Film Festival, which will run from September 14 – 16. As a launch event, they have joined forces with Indie exhibitor Cigarette Burns Cinema to bring us to classic Toho Creature Features!

If you know me at all, you probably won’t be surprised to learn that I have a huge love for all things Godzilla, and anything with giant monsters. The chance to see two of these films up on the big screen – in original 35mm no less – is an exciting prospect!

King Kong Vs Godzilla is undoubtedly the better known of the two (It’s one of only two Godzilla films available to buy in this country. I want my box set dammit!). In this one, King Kong and Godzilla go head to head to find out who is the true king of the monsters. Of course, no masterful stop-motion here, it’s all men in suits. To get the most out of it – watch Kong’s arms. They change length throughout, depending on whether he needs to pick anything up or not!

Matango, Fungus of Terror is one of those real cult gems that I have yet to see, so I’m glad it’s getting a screening! The story follows follows a yacht full of privileged Tokyo-ites who are forced to face their primordial selves after they find themselves washed up on deserted tropical island festooned with clumps of fungus.

The double-bill is at the Prince Charles Cinema on August 22. Tickets can be booked here.

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Monster Movie Action!

Kim Jong-Il’s monstrous creation, PULGASARI

I went to the fantastic Roxy Bar And Screen to see PULGASARI.

Now, the story behind the film is pretty amazing. Back in 1985, Kim Jong-Il had South Korean Director Shin San-ok make a monster movie. Of Course, San-ok had been kidnapped by North Korea, and was being held against his wishes. Special effects are from Godzilla studios Toho.

The film follows the story of a village which is being, essentially, pillaged by the King. The villagers revolt, and several are taken prisoner. One, the blacksmith, creates a small doll out of rice and food. When touched by human blood, the doll comes to life, and begins to eat metal.

As the villagers continue to fight against the evil regime, the monster grows in size, before becoming large enough to take on entire armies.

Some of the torture scenes are surprisingly shocking – particular an old woman getting her legs beaten by a plank of wood. Some of them are fairly silly (such as an executioner giving a full-on movie ‘evil laugh’). However, it isn’t the people that are the stars of this film, it’s Pulgasari himself.

In his first scenes, he’s tiny. You will want one as a pet. Once he’s big, though, the effects are standard 80′s Godzilla stuff. It’s bonkers, and I loved it. It’s really the sound effects that lift this film, though. They are very cartoonish in places, with hilarious consequences.

Without getting into the politics of the film, it is very entertaining in a ‘so-bad-it’s-good’ kind of way, and is different enough from other Toho monster films to be fresh.

Like the ‘Asian Movies Meet-up Group‘ to stay up-to-date with other events and screenings.

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